Category Archives: Thoughts

The Great British Sewing Bee and fast fashion

great british sewing bee

Unless you’ve been living under a sewing-free rock for the past four weeks, you’ll probably have heard all about the Great British Sewing Bee – the show which gave sewing the Bake Off treatment.

Funnily enough, I haven’t had a chance to write about it here on the blog, but I did get a chance to write about sewing for the Western Mail. An odd but thoroughly enjoyable occasion where work and my personal hobbies collided.

I was sceptical about whether the BBC would succeed in making stitching as sexy as baking. As much as I adore sewing and as much as the sewing community clearly enjoyed the Sewing Bee (as evidenced by my Twitter feed every Tuesday evening) I just wasn’t sure if it would translate to those who had never picked up a needle in their life in the same way as the Bake Off had people running out to buy cake tins on the double.

The Sewing Bee waves have certainly been felt in our little pocket of the blogosphere. Views of my interview with contestant Tilly have rocketed since the programme began and a number of other bloggers have reported spikes in traffic on tutorials and other handy posts, usually in the days after the latest episode has aired.

Whether or not the series will have people sprinting to their nearest haberdashery, I don’t know. But perhaps, for some people, the cogs will have begun turning as they watch Ann’s meticulous preparing of her pattern pieces or the way Tilly drafted her own patterns as she went and hopefully they slowly realised just how much work goes into the kind of garments seen on a shop’s clothing rail.

Much like with our food, many of us don’t care to take a peek behind the curtain to see just how the clothes we put on our backs are made. While factory sewing is a different world to home sewing, I hope many non-sewers watching perhaps took a look at their own clothes to see where seams had been overlocked or examine exactly how their bargain garment was put together.

And maybe next time they head to Primark or New Look, they might think just how all that effort can go into one garment but the costs remain so low.

Well, hello there 2013

Happy New Year everyone! Can you believe how quickly this year has gone by?

some of 2012's makesSome projects from 2013…

It feels like just yesterday I was talking about my sewing goals for 2012. So how did I get on?

Well, I didn’t sew more. In fact, I think I sewed a bit less. Quality was a high priority, but my sewing abilities have yet to catch up with my ambitions.

But meeting new bloggers? I’d say that’s been a resounding success, both in real life and online. Since the pledge got started, more than 100 people have joined in from across the world.

I’ve been lucky enough to meet some of my favourite bloggers in person and get to know some others via Twitter. Even if my sewing doesn’t get any better, I’d like to keep this going.

Here are some things I’d like to achieve with the Pledge and my sewing this year:

1. Sew a work-ready wardrobe

You all know how much I love a good pencil skirt. In the next couple of months, I’d like to sew some classy clothes suitable for work. They’ll need to be well-made,  so it’s again a case of quality over quantity.

2. Tights, pants and shoes

As you know, underwear is exempt from my Pledge and while I certainly don’t buy as many shoes as I used to, I’m still buying them once I’ve worn my favourites  ’til they have holes in them. My aim for 2013 is to find places to buy tights, pants and shoes which are more in-keeping with the ethos of the pledge.

3. Reboot the pledge

The Pledge is just over a year old now, but I want to take it somewhere new. I’ve been chatting to Gillian and Clare about revamping the pledge for 2013. We’ve got some exciting ideas, so keep your eyes peeled for more information including how you can get involved…

Have you got much planned for 2013? Do let me know!

Style crush – The Hour

There’s a lot to love about the BBC’s The Hour.

Set in the 1950s, The Hour gets behind the scenes of a groundbreaking current affairs programme at the BBC in (fictional) times gone by. While it’s very much a generalisaton to call it such, ithas been dubbed the UK’s answer to Mad Men. Except you have nosy journalists chasing stories rather than high-profile advertising executives chasing clients.

What’s not to love?

Of course, the characters and story have got me hooked, but can we please, please talk about the clothes. Please?

Part of what made most of the sewing world fall head over heels in love with Mad Men was the impeccable costumes. I think we’ve all wanted one of Joan’s wiggle dresses in our lives. Admittedly, it plays a lesser part here in The Hour, as tricky stories and conspiracies rule the roost.

But the costumes really are a treat, from roving reporter Freddie’s shabby suits to the more polished flounce of housewife Marnie Madden. But my absolute favourite wardobe is that of ambitious producer Bel, filled with jewel toned skirts and dresses. Sleek and professional.

As you all know, I’m not a fan of quick-fire fashion and Bel’s work wardrobe, full of practical yet professional favourites, harks back to a time when clothes were meant to last. She basically owns my ideal working wardrobe.

I’m not quite pulling off this level of classy just yet, but I’m only a few months into the working world, give me time! Streamlined and sophisticated, her wardrobe screams efficiency. Just the thing you need if you’re in charge of a hard-hitting news programme, wouldn’t you say?

In terms of sewing, it would actually be fairly simple to stitch up. Only yesterday, I ordered a copy of Gertie’s New Book For Better Sewing, which includes a suit jacket pattern as well as a pencil skirt. Just add a vintage brooch and you’re sorted.

Have any of you watched The Hour? What do you make of the new series? If you’re in the UK, you can catch up with it on BBC iPlayer.

 

Creepy comments and favourites on Flickr photos

Sharing photos of our creations on our blogs, Facebook, Twitter and Flickr accounts is almost second nature to most of us now.

From outfit posts to in-progress shots, our photographs add to the conversation and create inspiration for other members in the community. But the Internet’s not so clear-cut and, well, nice as that. Take the Reddit storm which erupted recently, regarding the unmasking of a user who championed the “creepshot” – posting compromising pictures of women taken unawares.

Obviously in our little community it’s a completely different kettle of fish. We willingly share images of ourselves and our projects. There’s nothing sexual about what we do, right? Well, as some of us taking part in Me Made May ’12 found, where there’s a will, there’s a way.

A couple of months ago, I logged onto my Flickr to find someone had added quite a few of my photographs to their favourites. For those not on Flickr, you’re able to add pics to your favourites or cultivate your own galleries dedicated to certain themes. In this case, my pictures showed up in a gallery cultivated by someone with a clear fetish for scarves.

Clicking through to their profile, I saw they had added any and all photos of me wearing a scarf to a favourites filled with clothed and half-naked women draped in the seemingly innocuous accessory.

I didn’t really know what to make of it. A huge part of me obviously felt creeped out. These pictures weren’t taken for that purpose, after all. Another part of me felt like I shouldn’t be judging someone else for whatever rocked their boat – but then, I didn’t particularly want to be involved in it. So, I blocked the user, which prevents my pictures from appearing in their feed.

Feeling “creeped out”

I’m not the only whose photos have ended up in unexpected Flickr galleries. Roisin of Dolly Clackett noticed it when she started submitting photos to the Wardrobe Remix Flickr pool.

She said: “I think the worst one was someone called TIGHTSFACE, whose profile had lots of photos of naked men with tights on their heads. None of the comments have been aggressive or anything but it does creep me out when someone comments to say ‘I’d like to smell your feet’!”

Then there were the knitwear fans. ”I did get a number of knitwear fetishists favouriting my photos and adding me to their galleries – the strangest one being someone who favourited a load of totally innocent photos of me wearing cardigans and added them to a gallery that included drawings and photos of naked girls wearing cardigans, and people having sex in knitted gimp suits,” she said.

There’s a whole thread on the Me Made May ’12 group on this subject, started by Gillian, who wanted to know if this sort of thing was happening to other people too. As a teacher, Gillian is at pains not to post anything she wouldn’t be comfortable with her students seeing.

I contacted her for more information, specifically, how did these “off” comments make her feel?  ”It’s very insulting, demeaning, and hurtful,” she said.

“The sewing community is generally so kind and positive that it’s a real shock to realise that lurkers and creeps are out there! Luckily, I feel relatively in control with Flickr - It’s easy to block someone, and I can delete comments as well.

“Once it’s dealt with, I forget all about it. It doesn’t affect what pictures I post.”

It seems almost harmless, really. Especially when you think that some people are posting demeaning upskirt pictures of women taken when they weren’t looking or  wishing death on each other via anonymous comments. Except I can’t help but think sexual comments and Internet catcalling is the next step – in fact, I’ve seen a comment here and there which definitely weren’t about how well the drape of the fabric works.

I think there’s a mentality on the Internet that if you post pictures of yourself dressed to the nines and in some nice make up, as many of us did during any of the numerous sewing challenges, then you “deserve” this kind of unwanted attention. But people say the same thing when I dress up in real life and get catcalls and unwanted comments. Not to mention, the reality is, the most successful blogs have this personable element to them which is difficult to achieve if you’re hiding behind your mannequin.

Gillian agrees with on this one. She said: “Sure, I could make all of my pictures “private”, but that defeats the point of social blogging. I could change what pictures I put up (no head, for example, or low res crappy pics), but again, why should I have to?

“Unfortunately, there is no clear solution to harassment and sexism in either the real world or the blogosphere… so until then, I appreciate the support and commiseration of the sewing community!”

I expect to be able to walk down the street in garments I’ve made without being called sugartits – so why is the Internet any different? It all comes back to this notion of the online world being beyond any sort of social conventions we expect in day-to-day life.

Also, as Roisin points out, there is a worry that by taking offence to our pictures being added to fetish-themed gallery, we’re being judgemental of someone else’s sexual preferences. She said: “I’m trying not to be too judgemental about the creepy things people comment about. I choose to share the photos in a public space and I don’t want to be judgy about people’s sexual practices, but it definitely does make me feel uncomfortable to know that there are people out there getting kicks out of a picture of me in a cardigan.”

I’m sure there are a few people out there who sew and maybe even read some of our blogs on a regular basis but don’t want to put themselves out there for fear of this kind of reaction. As much as I love the diversity of Flickr’s community, this mixture of the innocent and the more suggestive can be hard to deal with when the two collide.

Two sides

One of my Cardiff Twitter contacts Martyn Kelly, who’d also experienced some of this on his own Flickr page, probably put it best. He said: “Flickr is one of the few communities where it embraces the dualist nature of the web in terms of filth/underbelly and friendly/safe/social, and does so with grading/rating photo streams, mature audience flags, logged in only content, etc. and advice on how to manage that.

“But things break when: 1) Someone comments something a bit creepy… or 2) The Flickr-specific problem – if a creeper favourites a photo. Because a user’s favourites are public, you find your image has been curated by a man in a mac, erection wavering outside your digital window. It all gets a bit weird.”

I emailed Flickr months ago to ask what they’d advise users do if they’re uncomfortable with a comment, but they haven’t answered. But here’s what it says in their community guidelines:

Don’t be creepy.
You know the guy. Don’t be that guy.

Your thoughts, as always, are much appreciated.

Stitching to deadline – let’s get this dress done!

I like to think I can “do” deadlines. There’s nothing quite like the adrenaline of a big deadline inching closer and closer by every second.

At least if you make a mistake in an article, you can get it corrected in a matter of seconds once you’ve spotted it. But say you end up sewing something topsy turvy, you’re guaranteed to have a solid half hour of unpicking on your hands – and that’s only if you were lucky enough to make a mistake on the bodice.

This is partly why the Twitter dress has taken me so long to get done. But with the Wales Blog Awards presentation coming up this week, I really wanted to get the dress done so I’d have a me-made dress for the evening – it would be a bit embarrassing if I wore anything else, wouldn’t it?

Making progress!

I don’t know what it is about an imposing deadline, but I managed to get most of the dress done last night! A lot of what I have left now is hand-sewing, which I can do on the train back to Cardiff tomorrow evening.

How satisfying! Do you perform well under deadlines?

Balancing work, life and play

It’s week one of the Welsh invasion of Surrey and I’m already falling into the dangerous coach-potato pattern I swore I’d avoid.

I’m currently experiencing the curious phenomenon of becoming near-comatose as soon as weary feet reach the front door after a day in the office. Oh sure, I was bright and perky when I left work and had plans aplenty for the productive activities I’d get up to at home. Blogging, sewing, cake-making… there would be no stopping me!

But, curiously, what’s meant to be a brief respite with a cuppa on the sofa turns into hours of watching awful television and BAM! It’s midnight and I find myself cursing the time-stealing gremlins because how else were the hours snatched away?

I know, I shouldn’t be too hard on myself because it’s only been one week, but this really cannot continue.

On Friday afternoon, I returned home with a bank holiday weekend ahead of me and all manner of things to sort out. But somehow, I managed to turn a nap into a full-on sleepathon lasting right up into Saturday morning! When did I become so lazy?

As with most things, I took to Twitter to find out if I was the only one struggling to juggle work with the rest of my life. Of course, I certainly wasn’t:

What about you? How do you find time for your hobbies with your full-time job?

Normal service will resume as soon as I find a remedy for the time-stealing gremlins…

Coveting a dressmaker’s dummy

There’s something human-shaped missing from my sewing life. I’ve been coveting my very own adjustable dressmaker’s dummy for some time now.

Once upon a time, I found a ratty mannequin at a flea market in Germany. I snapped it up for 25 euro and got some funny looks on the way home, clutching this tea-stained dress form as the metro whizzed underneath Dortmund.

I ended up naming it Sally, as you do. Sally was a bit broader in the back than I was, so I couldn’t really drape accurately using the form, but it was so handy to have a general idea of what a garment would look like without having to put it on and inspect it in front of the only full-length mirror in the house.

At the moment, fitting a garment is an odious case of trial and error as I guesstimate how much needs to be taken from a waist of a dress for it not to look like a potato sack. I often feel like a human pincushion as I wiggle my way in and out of half-finished items in an effort to get the fit just right.

So I guess it’s safe to say I’m in the market for a new Sally. There are a few options I could go for:

Buy new

Probably the most expensive and un-Seamless option, there are plenty of places I could get a brand-new dress form. John Lewis have a whole host of dress forms on sale starting at £139 for the Easyfit model. Not my first port of call as you’d imagine, but John Lewis do sell some good quality sewing wares so might be worth checking out.

Second-hand or vintage

Much more Seamless-like, don’t you think? Ebay always has a few vintage or second-hand dress forms on sale, but the price will fluctuate depending on how much competition there is for your chosen dummy. You never know, you might just get lucky. Also, I spotted a few ads for second-hand dummies on auction site alternative Preloved.

Do it yourself!

Yup, it’s possible to make your very own dress form. There are several tutorials available on the internet, the most popular being the duct-tape method. A more time-consuming but potentially rewarding method involves making a plaster mould of your upper half. You’ll need a good friend to help you out with either one – needless to say, it’s far cheaper than either of the first two options.

Personally, I’ll probably go on the hunt for a second-hand dress form if I can get a good price. Sad to say, I once passed up an amazing vintage wooden dress form I found in a charity shop in Swansea. It was the worst timing really, I’d just packed everything to move out of my flat and there was definitely no room for it, but I still wonder if it would have been worth the hassle anyway.

Do you own a dressmaker’s dummy? I’m dying to know if anyone’s had any success with the duct tape method!

Would you ever sew a wedding dress for someone?

Sometimes, I forget how few people actually sew these days – at least, in comparison to those who regularly buy from the high street.

Unsurprisingly, it often leads to a request or two from friends and acquaintances to fix a pocket here, hem some trousers there or just sew on a button. I’m more than happy to help out with a loose notion or two, but there are some projects just too big for my sewing machine alone to handle.

Picture by Beamillion

Hands up who’s had the wedding dress conversation? You know the one, where a friend jokes they’d like you, you stitchery type, to whip up a beautiful gown for their special day. Don’t get me wrong, I’d happily undertake such a project for any of my close friends – so long as they don’t go Bridezilla on me when they realise sometimes I have a hard time sewing in a straight line.

But, every now and then, the “joke” comes from an acquaintance and you think… oh wait. They’re being serious, aren’t they?

I can see why it’s tempting. Wedding dresses are bloody expensive. With a talented pal and a sewing machine on your side, you can cut costs and spend that money on more wine at the reception. And I am always, ALWAYS, in favour of more wine.

But this is a task so phenomenally huge – what if you were to get it wrong? I’m not sure I could handle the weight of one bride’s expectations on my amateur sewing. I suck with slippery fabrics, I don’t *do* buttonholes and me and lace aren’t talking at the moment. I would be the WORST wedding-dress-maker candidate, really.

The only serious wedding-related request I’ve ever had came during a curious conversation with a friend from school who’ll be getting married soon enough. Up she popped on my Facebook chat, asking if I still made my own dresses, then how expensive it was… and then how expensive it would potentially be to make say two or three bridesmaid’s dresses.

Perhaps she was genuinely curious about if it would be cheaper to buy fabric and get them made, but she fell silent as soon as I asked her if she was trying to hint she wanted me to make them for her.

Long to the short, I won’t be taking any wedding commissions anytime soon. That is, unless some fella manages to keep me still for long enough to put a ring on it (not bloody likely) – then I’ll probably nab some lace curtains from a charity shop to make my wedding dress for the princely sum of £5. It does mean more money for cake and wine, after all.

What do you do when you hate your work-in-progress?

There are always going to be projects which don’t work out so well.

A poor choice in fabric, a cut which isn’t quite as flattering off the pattern envelope or even just the sheer effort of trying to force a project to go your way can turn a work-in-progress to an unfinished garment. These are the projects which make you want to run out to the shops and just buy a similar garment because it would be oh-so much simpler.

This is where I find myself with my Twitter dress. It started out so well! I found the fabric in Boyes while I visited York, even found some super-cool buttons and was planning to whip up a turquoise version of the sixties dress featured in the blog’s first giveaway.

So I cut out the pattern pieces and started basting them together to fit. Despite my best efforts, I don’t think this garment has ever not looked like a potato sack, that is, a potato sack with an uncanny resemblance to medical scrubs.

As it stands, this dress would probably be more at home in a doctor’s surgery than wherever I would be wearing it. I toyed with adding a collar, but it didn’t really work out too well.

I don’t know about you, but when I hit a brick wall with a project, my sewing motivation goes right downhill. Add to this a couple of failed job interviews and you haven’t exactly got a match made in stitching heaven.

I need to claw back my motivation. As I post this, I’ll be searching for another style in the hope I can salvage what I have left of the fabric before I forever associate it with the medical-scrubs gone wrong.

What’s on your sewing table at the moment? Have you ever had to turn around a failed project?

The end is nigh…

The past nine months have gone by in the blink of an eye.

Back at the very beginning

On Wednesday, I am no longer a trainee journalist at Cardiff University. Providing I pass my exams, I’ll actually be qualified to work on a local paper, can you believe it?

As you probably know, Wednesday also marks the official end of my Seamless pledge. Perhaps it’s all the furious revision I’m doing for my final exams, but it’s not quite hit me just yet!

I’m not the first to complete my pledge – over at Thread Carefully, Julia finished her pledge and reflected on it here. What’s really nice to see is she’s not wanting to give up on it and has decided to pledge for another year. Then there’s Juliet, who commented a few days ago that she’s planning to take her pledge until the end of 2012.

I’m definitely leaning towards taking my pledge onwards and upwards, but what I’d really like to do is cultivate the community we have here. Speaking about Me Made May ’12, I mentioned how much I’ve loved the community aspect of these challenges and with the end of my course, I’m going to have far more time on my hands to be able to make more of this aspect of the pledge.

You might not know, but Seamless already has a Flickr group and a Facebook page going, but I’d like to take this community aspect a lot further. I’ve got a couple of ideas in mind, such as featured pledgers and the refashioning me-mades challenge, but I’d love to hear what you guys would like to do.

Whether it’s some more challenges, giveaways, or spotlights on other pledgers, I’d love to know what kind of posts you’d love to see on the blog. If there’s anything you’ve particularly liked about Seamless so far, then I’d love to hear about it, equally if there’s anything you think I should work on.

In a way, I’d like the blog to be a focal point for pledgers to come, with groups on Flickr or Facebook acting as “support” networks while you’re pledging or even if you’re thinking of it.

Anyway, it’s time for me to get back to the revision! I shall see you all after exam hell is done…