The Refashioning Checklist, or, six garments I need to chop up

One of the great benefits of sewing is being able to take a pair of scissors to an unwanted garment and create something worth wearing.

That’s the logic, anyway. But more often than not, I’ll buy or adopt something second-hand with the best refashioning intentions – yet it ends up at the bottom of my wardrobe all the same. Usually, it’s discarded in favour of a sewing project with new and shiny fabric. As Zoe pointed out recently, adding to the stash is not that much different to buying new.

To remedy this, I’ve rummaged in the deepest depths of my darkest drawers to find six items I need to refashion, pronto, lest they be banished to the wardrobe whirlpool until they get eaten by moths or something.

They include second-hand purchases I’ve since had second thought about, donated items, found items and even a very recent me-made. The main thing is, I can’t just leave these unworn in my wardrobe much longer – otherwise, what’s the point of having them at all?

The 80s hangover blouse

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Me Made May ’13 – A celebration of all things refashioning

Last minute to the party, as per usual. Count me in for Me Made May ’13! Woohoo!

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Now, as many of you know, last year I was a scatty student who could justifiably spend all day indoors “revising” in some of my more questionable makes. These days, I’m an actual grown-up who needs to look somewhat presentable.

Why oh why is past Len such a slapdash sewist? Last year, I found myself rummaging in my drawers for makes I had long since written off because they were a bit rubbish. I’m sure the same will happen again this year.

For the sake of maintaining a professional wardrobe in the office, I plan on including refashioned and second-hand items along with my me-mades – I was lucky enough to get a good haul of office-appropriate garments in Guildford, which means I shan’t be caught short in the mad morning rush for work.

Without further ado, here is the pledge:

 I, Elena of seamlessblog.wordpress.com, sign up as a participant of Me-Made-May ’13. I endeavour to wear at least one me-made, refashioned or second hand item each day for the duration of May 2013. To document my challenge, I shall tweet/instagram/flickr/facebook the bejeezus out of my daily outfits, even if it means taking mirror pics in work’s loos. I will also endeavour to make my way and finish all of the refashions I haven’t quite got around to and document how I did so, even if I mess it up.

It’s no blogging every day for May, but I’ll sure as hell be tweeting. You can follow me on Instagram or Flickr too for daily outfit posts and I’ll collate them each Sunday here on the blog.

And did you spot the little extra I popped in there? That’s right, I’ve got a whole bundle of refashions to get through. They’re mostly things I’ve bought or have been given with the best intentions of refashioning, yet haven’t quite got around to it just yet. Here’s a sneak peek at one, as modelled by my lovely new mannequin (who will have an introduction post soon, promise!)

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Isn’t it just delightfully HIDEOUS?! It used to have shoulder pads. I was one perm away from being an ’80s throwback when I tried this bad boy on.

Alright, hands up – who’s doing Me Made May this year?

The Great British Sewing Bee and fast fashion

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Unless you’ve been living under a sewing-free rock for the past four weeks, you’ll probably have heard all about the Great British Sewing Bee – the show which gave sewing the Bake Off treatment.

Funnily enough, I haven’t had a chance to write about it here on the blog, but I did get a chance to write about sewing for the Western Mail. An odd but thoroughly enjoyable occasion where work and my personal hobbies collided.

I was sceptical about whether the BBC would succeed in making stitching as sexy as baking. As much as I adore sewing and as much as the sewing community clearly enjoyed the Sewing Bee (as evidenced by my Twitter feed every Tuesday evening) I just wasn’t sure if it would translate to those who had never picked up a needle in their life in the same way as the Bake Off had people running out to buy cake tins on the double.

The Sewing Bee waves have certainly been felt in our little pocket of the blogosphere. Views of my interview with contestant Tilly have rocketed since the programme began and a number of other bloggers have reported spikes in traffic on tutorials and other handy posts, usually in the days after the latest episode has aired.

Whether or not the series will have people sprinting to their nearest haberdashery, I don’t know. But perhaps, for some people, the cogs will have begun turning as they watch Ann’s meticulous preparing of her pattern pieces or the way Tilly drafted her own patterns as she went and hopefully they slowly realised just how much work goes into the kind of garments seen on a shop’s clothing rail.

Much like with our food, many of us don’t care to take a peek behind the curtain to see just how the clothes we put on our backs are made. While factory sewing is a different world to home sewing, I hope many non-sewers watching perhaps took a look at their own clothes to see where seams had been overlocked or examine exactly how their bargain garment was put together.

And maybe next time they head to Primark or New Look, they might think just how all that effort can go into one garment but the costs remain so low.

Sew For Victory – Rosie the Riveter shirt dress

Happy days – I managed to finish my Sew For Victory wartime-inspired dress!

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A little more than a week ago, I told you about my last-minute change for this project, opting to take inspiration from women working in WW2 rather than the post-war pattern I had originally planned on making. I couldn’t resist getting my friend Martha, who designed this blog’s header and logo, to make me a Rosie the Riveter-style poster as well as taking some snaps of the dress for me. She’s a talented cookie, that one!

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As you may have already guessed, I used yet another pattern from Gertie’s New Book For Better Sewing. Man, oh man am I in love with this book. The patterns are beautiful and the instructions even more so. Due to lack of time, I just winged it with this one and went muslin-free. Daunting! But it’s turned out quite well.

The only major alteration I made was the length – I lopped off a whopping eight inches from the skirt. EIGHT INCHES. In case you hadn’t guessed, I am pretty much a hobbit. Gertie must be ridiculously tall. I crave her power.

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The only other adjustment made was to the sleeves. Originally, the puffiness looked absolutely ridiculous on me, so I fudged it a bit and managed to make them a bit more conservative. I think I needed to take a bit off at the top of the armhole because the shoulders were a little wide for me. Everything else worked like a dream. The elastic shirring at the back makes the dress fit beautifully without making you feel constricted. Thumbs up on the design.

I would tell you what kind of fabric I used, but I’ve completely forgotten…

Those of you who have followed the blog for a while may notice one little milestone here…

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Bound buttonholes! ALL SEVEN OF THEM! One’s a little bit wonky but I don’t actually care because I finally managed to do more than one vaguely presentable buttonhole. There is something rather therapeutic yet distinctly horrifying about making bound buttonholes, but it’s the best feeling ever when it all comes together.

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In all, not half bad considering I only started a little more than a week ago. Now I can look forward to perusing all of the other lovely creations on the Sew for Victory Flickr group. Exciting!

Hopefully, I can pull it out of the bag for the Mad Men challenge and all…

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Sew For Victory – Women at work

I’ve had a change of heart since I last wrote about Sew for Victory. Instead of a post-war Butterick 5281, I think I’d rather channel Rosie the Riveter on this one.

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Before war broke out, society had clear expectations of where a woman should be – at home. If she were to work, she shouldn’t earn more than her husband and marriage was meant to put a stop to any semblance of a career. But when World War II began, society had to buck up its ideas.

Suddenly, women weren’t just working in industries previously considered ill-suited for females, they were also actively encouraged to get stuck in as part of the war effort.

In the UK, unprecedented amounts of women joined the industrial workforce out of sheer necessity. Between 1940 and 1945, in engineering alone, the amount of skilled and semi-skilled female workers jumped from 75% to 85%. The picture was very similar over the pond, as thousands of American women helped make machines and airplanes in their hundreds.

It’s fascinating – while there are still problems with sexism in the modern workplace, we’ve come a long way from the idea of a female engineer being “radical” or just a plain necessity because of a shortage of men. For probably the first time since World War I, no one batted an eyelid at women carrying out so-called unfeminine work because they had more important things to worry about.

When the war ended, it was automatically assumed these women would leave their jobs as the men returned. In London, the monument to the Women of World War II depicts 17 sets of uniform and clothing which represents the hundreds of jobs women undertook and then left at the end of the war.

I think it’s safe to say, that while things didn’t change immediately, the work women did during the war began a shift in the perception of women’s role in society. The more I thought about this challenge, the more I wanted to pay tribute to that.

Practicality is key. The plan is to make something which isn’t restrictive and which could easily fit in to the wardrobe of a 40s working woman. And hey – while I usually sit in an office most of the day, every now and then I have to do something silly like tramp around mud looking for evidence of fly tipping (this resulted in some embarrassing photos), so it wouldn’t hurt to have a smart yet practical item for any journalistic eventuality.

Given my last-minute decision, I won’t be making trousers, because I’ve never made them before and I wouldn’t want to rush it! Instead, I’m going to take inspiration from Rosie and go for a classic shirt-dress. Comfy and non-restrictive, that’s the aim of the game!

How are your challenges going? It’s just as well Rochelle extended the deadline on this one, phew!

Two challenges to see Spring through

It may not feel like Spring what with all this BLOODY SNOW but there’s nothing like a sewing challenge or two to pep you up for some warmer months.

Sew For Victory



The first comes courtesy of the lovely Rochelle of Lucky Lucille, who has challenged the blogosphere to a trip back to the ’40s – when fabric was scarce, fashion took a back seat to the war effort and everyone was encouraged to make do and mend.

She’s already provided a plethora of inspiration to get us going over on her blog since the challenge was announced, which means I should really get my skates on! I have a pattern picked out but have yet to actually get cracking on a muslin or even choosing fabric, erk!

I was in two minds about this challenge – with dreams of making a pair of high-waisted trousers and pairing it up with the Mathilde blouse from Tilly and the Buttons, which would have been more 40s-inspired than an accurate reproduction.

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But then I found this great Butterick repro pattern (Butterick B5281) from 1946 which has remained in my sewing box unmade for a number of years now. The pattern looks absolutely beautiful on the envelope, but then I saw Butterick’s version, which just looks AWFUL.

I’m starting to worry a little bit, even more so because i haven’t started work on it at all! 

Being a post-war pattern, I feel I can plump for a brighter colour like purple, but I may still keep it to a darker shade. At this stage, anything could happen!

Mad Men challenge

Secondly, we’ve got Julia’s Mad Men challenge. How did I miss this last year?!

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As it happens, this challenge is far simpler for me! I’ll let you all know a bit later which particular dress I’m hoping to emulate, but it’s definitely a Joan make, for sure. I may not be as bombastically curvy, but I’m sure I can rock a good wiggle dress…

Those of you who have signed up for the super-fun-cool project for Seamless – THANK YOU! I’ll be sending out the top-secret instructions ASAP. There’s still time to register your interest – head to the post here to find out a bit more.

An ensemble from Gertie’s New Book For Better Sewing

I swear, you wait weeks for a project and then two come at once – my first two projects of the year are the blouse and pencil skirt from Gertie’s New Book For Better Sewing.

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Suffering from some wonky tripod syndrome…

In all, these two were a breeze to sew up – which is just as well considering how low my sewing productivity has been of late. As many reviewers have pointed out before me, Gertie’s book is a dream and full of classic and easily customisable patterns.

I put far more effort into the skirt than I did the blouse, which is refashioned out of a floor-length lace skirt I bought second-hand months ago. In the end, I decided to bother with neither a lining nor facings, instead finishing the raw edges with bias tape. The whole thing was stitched together using my overlocker, getting trustier by the minute now I’ve got the hang of it. A few adjustments were made to account for the scant fabric I actually had, as the original skirt was constructed out of four rectangles rather than the two.

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I had to fudge the sleeves a bit in the end because, lacking a muslin, the bust darts somehow ended up closer to my waist. Oops! To remedy the sagginess, I just did two tucks which I sewed on the outside of the fabric – you can barely notice really. I also widened the darts on the back of the neck, again due to some unnecessary sagging. The top’s too short to wear with anything other than a pencil skirt, but I love it.

Speaking of pencil skirts – this bad boy took a lot more effort. It was all about the muslin-making, meaning the whole thing took twice as long as it would have normally. Definitely worth it with such a form-fitting garment.

The only adjustments I really needed to make were to take in the skirt at the sides and to shorten it. I’m a petite one at 5″3, so this is a standard procedure for me by now. While I was reticent about the double darts at the front of the skirt, I actually really like them now.

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As suggested by Gertie in the book, the high waistband is boned. But instead of using Rigilene or steel boning, I opted for plastic cable ties. I know, I know, I promised I wouldn’t cut corners – but they really have worked a treat. I’ll let you know how they hold up after multiple washes, but I’ve heard good things. To give it extra strength, I ended up using the muslin’s waistband instead of iron-on interfacing.

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Then there’s the buttonhole. Er, the less said about this, the better. We all know I hate buttonholes. For some bizarre reason I thought things would turn out better if I did it by hand. It looks like it’s been sewn by a child. Perhaps these things get better with time…

I opted for a more expensive lining than usual – I forget what kind of fabric it is, but it’s so smooth and keeps static away a treat. The main body of the fabric is a floral cotton poplin, the kind which sticks to your tights if you don’t line it!

Excuse the crinkles!

Excuse the crinkles!

While it’s by no means the tidiest, for the first time, I’m not ashamed to show you how this garment looks on the inside. My new favourite toy has to be my pinking shears – you wouldn’t think it to look at them, but these bad boys are unbelievable at keeping unravelling fabric at bay. All that was left to do by the end was to cover the raw edge on the hemline with a matching pink ribbon.

As I said before, my aim was to make a perfectly fitting pencil skirt and I think I’ve achieved that. The only change I would make would be to taper the lower half of the skirt in just a touch.

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Next up on the sewing block are two sewing challenges – the first being Sew For Victory (which began yesterday, but I shall post my plans later this week!) and the second the Mad Men challenge. Woo!